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Giovanna Garzoni
Giovanna Garzoni (1600-1670) was an Italian painter who was prominent in Europe during the Baroque period. Garzoni started her career painting religious, mythological, and allegorical subjects but became famous for her works with tempera and watercolors of botanical subjects.〔Jordi Vigué. ''Great Women Masters of Art.'' (New York: Watson-Guptill, 2003), 77.〕 The artist rose to prominence due to her precision and balance with space and scientific realism of her subjects.〔Sheila McTighe. “Foods and the Body in Italian Genre Paintings, about 1580: Campi,Passarotti, Carracci”. The Art Bulletin, College Art Association 86 (2004):301-323,accessed October 23, 2014, doi 10.2307/3177419.〕 Garzoni was often called the Chaste Giovanna due to her vow to remain a virgin. Garzoni is also notable for being one the few women who opted to travel throughout Europe and receive an education during the 17th century instead of settling down and starting a family.〔Jane Fortune, and Linda Falcone.''Invisible Women.'' (Florence: The Florentine Press, 2010), 101.〕 Scholars have speculated Garzoni may have been influenced by fellow botanical painter Jacopo Ligozzi〔“Artists: Giovanna Garzoni”. The J. Paul Getty Museum. Accessed October 22, 2014. http://www.getty.edu/art/gettyguide/artMakerDetails?maker=21178.〕 although details about Garzoni's training are widely unknown.
==Early life==
Giovanna Garzoni was born in 1600 in Ascoli Piceno in the Marche district of Italy to Giacomo Garzoni and Isabetta Gaia.〔Jordi Vigué. ''Great Women Masters of Art''. (New York: Watson-Guptill, 2003), 77.〕 Both of Garzoni's parents were of Venetian origin and are believed to have come from a long line of Venetian painters but this item is often disputed.〔Jordi Vigué. ''Great Women Masters of Art.'' (New York: Watson-Guptill, 2003), 77.〕 Garzoni's grandfather Nicola and uncle Vincenzo from her mother’s side were both goldsmiths while her other uncle, Pietro Gaia, was a painter who studied at the school of Palma the Younger.〔Carole Collier Frick, Stefania Biancani, and Elizabeth S. G. Nicholson. ''Italian Women Artists: from Renaissance to Baroque.'' (Milano: Skira, 2007), 220.〕 Historians have widely speculated that Garzoni started off her career as an apprentice under her uncle sometime before 1615. Garzoni also had a brother, Mattio whom she would travel with throughout her career as an artist.〔Carole Collier Frick, Stefania Biancani, and Elizabeth S. G. Nicholson. ''Italian Women Artists: from Renaissance to Baroque.'' (Milano: Skira, 2007), 220-21.〕
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